Calgary Opera gave its patrons a sneak-peak of its season-opener last Sunday, as the cast of Manon performed recital-style in The Petroleum Club. The first of three “opera brunches”, the event allowed guests to feast on an expansive buffet before company members took the stage one at a time to sing a song of their choosing. On the menu were: eggs two ways, Belgian waffles, toast, three types of salad, fruit (strawberries, raspberries and lots of melon), bacon, sausage, potatoes, grilled veggies, brownies, cookies, cakes, croissants and more. Tickets were $65 per person.
Bob McPhee, the CEO widely credited with keeping Calgary Opera financially stable through uncertain times, acted as master of ceremonies, first introducing accompanist Gordon Gerrard. In September, Gerrard was awarded the Enbridge Arts Award for Emerging Artist at the Mayor’s Evening for Business and the Arts, an event which McPhee co-chaired with Jim Stanford, former CEO of Petro-Canada .
M.C. McPhee also welcomed special guests in the audience: artistic director of Edmonton Opera Brian Deedrick was in attendance, having been appointed the stage director for Manon, as well as vocal coach Michael McMahon, resident conductor of the Calgary Philharmonic Orchestra Mélanie Léonard, and former Toronto Star music and dance critic William Littler.
Matthew Cassils, a baritone from Montréal and a new member of the Emerging Artist Development Program, opened the show. Then came the widely celebrated Peter McGillivray, who sang “Avant de quitter ces lieux” from Faust. Michelle Minke, Lauren Phillips, and Michel Corbeil all gave charming performances. The two stars of Manon, however, certainly stole the show.
American tenor Richard Troxell has joined the cast as des Grieux, the handsome and impetuous horseman who falls in love with Manon at first sight (and in the first act), and compels her to dodge life in the nunnery in favour of eloping to Paris. At the brunch, Troxell opened with an amusing story of bear-sighting in Alberta before launching into a heart-breaking version of “Oh, Danny Boy” - proving he could sing Happy Birthday and have an audience in tears. Nathalie Paulin, who plays Manon, sang “La Vie en Rose” while pulling McMahon from the audience for a brief dance. Paulin and Troxell have both performed with l’Opéra de Montréal (Troxell as Pinkerton in Madama Butterfly Poulin as Mélisande in Debussy’s Pélléas et Mélisande), in addition to appearances around the world. For the finale, the singers performed a duet from Carmen, leaving no doubt their version of lovers in Manon will be phenomenal.
Calgary Opera’s Manon begins November 21; the next opera brunch will be held in January with the cast of Mark Adamo’s Little Women.
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