No Exit: four more shows in Calgary

Jean-Paul Sartre's 1944 play No Exit is on stage as part of The High Performance Rodeo festival.

Two of Vancouver's most innovative theatre companies: Electric Company Theatre and The Virtual Stage are set to wow another four audiences in Calgary before returning home.

It is a four person, one-act play featuring enormous talent in all its players, particularly Laara Sadiq as the sexually charged Ines Serrano, who has died of gas.

Set in Hell (represented by an anonymous hotel room), we watch as the three strangers struggle with corporeal desire in all its forms, from wanting a toothbrush or sex to needing the attention of others.

This last thing; the thing the characters covet the most - to be seen, heard, admired - and its opposite - the power to witness, observe, provoke - is where this production really crackles.

Here are three good reasons to see this play, while you can:

1) Seamless production: From the fascinating blend of live film projection and on-stage acting, to the clever lighting, score, and set design (we see, at one point, our guide the Bellhop at a desk with large piles of folders marked "said" and "unsaid") this is a captivating, 90 minute performance.

2) It's uncomfortably comfortable: Don't get too cozy. As Sartre reminds us, the more we see ourselves in the characters, the more necessary their hell becomes. This show draws you in, and then gently pokes at you .... I should say no more.

3) It's entertaining: Good art should always be entertaining, even if it's uncomfortable. This show is marked by outstanding performances from all four lead players. It is dark, funny, and most of all intriguing. Plus, the audience is always entitled to a behind-the-scenes tour after the performance, and believe me, you'll want it.

The four remaining shows in Calgary take place at the Max Bell Theatre:

Friday, January 29 at 8:00 pm
Saturday, January 30 at 2:00 pm
Saturday, January 30 at 8:00 pm
Sunday, January 31 at 2:00 pm

Tickets can be purchased through the Epcor Centre or on The High Performance Rodeo website.

Published on TheAmpersand.ca January 29, 2010

Calgary International Film Festival

A daily blog
following the films, parties, and general antics of this year's CIFF for The National Post

Published on The Ampersand, September 25 - October 4

National Music Centre fit for a king

Plans were unveiled last night for the Cantos National Music Centre in Calgary; the results of an eight month global design search and competition. Opened in March 2009, the contest was narrowed to five architecture firms by July, each of whom presented their vision to a public audience at an event dubbed Designs on Calgary. The competition was then moved to a jury made up of artists, architects, and Senator Pamela Wallin.

The new institution will build upon the historic King Edward Hotel (affectionately known as the 'King Eddy'), a legendary house of blues that was shut down by public health authorities in 2004 after falling into serious disrepair. Located in a construction-riddled, slightly seedy part of town, hopes for a revitalized neighbourhood and national koodos are pinned on the multi-million dollar development. Cantos expects up to 120,000 people will visit the centre annually within two years of its opening.

In its new life, the King Eddy will house multiple performance spaces, a museum, educational programs, and play an iconic role in the city's skyscape. It will also serve as the new offices for Cantos Music Foundation.

Allied Works Architecture, an Oregon-based firm known for its landmark performing arts spaces across the United States, will partner with local architects BKDI to design, develop and construct the new centre.

The concept behind the design is building as instrument, a theme picked up by the other competitors as well. A secondary inspiration is the Western landscape, in particular the canyons, mountains and hoodoos of Alberta.

Andrew Mosker, executive director of the Cantos Music Foundation, which spearheaded the competition and re-development, said Allied Works and BKDI were the firms that "jived most" with his staff and "best understood and paid homage to the legacy of the original King Eddy."

Published on The Ampersand, September 24 2009