Calgary has learned to love sledding in the summer thanks to a three-year old festival of film, art and music known as Sled Island. Over four days in June the festival attracted hipsters, artists, and cultural giants (such as British rocker Colin Newman, Sled Island’s guest curator) to the city centre.
Two hundred and fifty bands were on the program, playing in venues as varied as the tiny stage in Plaza Cinema, where the red velvet curtains parted to revel a rarely seen documentary on glitter rock post-set, to the alter of Central United Church, to the basement of The Palomino. Noteworthy acts included a soulful, folksy-pop performance by JJ Shiplett, the aggressive rock band Cripple Creek Fairies, and the utterly captivating electro-acoustic sounds of rising stars Axis of Conversation.
The Sled Island Festival was also about visual art, co-hosting several impressive exhibits throughout the week. Three shows with international flavour opened at Illingworth Kerr Gallery (IKG) on Wednesday.
German architect Florian Koehl toured guests through a multimedia exhibit based around his 2007 hyper-designed Berlin condominium building. Winnipeg professor of architecture Neil Minuk acted as curator for the piece, which allowed the viewer to walk through a narrow pedway lined with blueprints and photos of the development. The building itself is home to ten tenants-cum-designers who worked with Koehl and artist Anne von Gwinner on its conception. It is evident that space limitations were both inspiring and restrictive for them. The result is unique, dynamic, and often fluid living quarters, more interesting in some ways than the exhibiting of them. The bathtubs, for instance, are futuristic pods elevated above the kitchen floor, from which the bather can look into the living room. The most endearing characteristic among the apartments are the handkerchief sized pop-out balconies which give tenants a rare and highly coveted view of Berlin’s cityscape.
IKG also showcased a hauntingly beautiful collection of photographs by Berlin-based Spaniard Ricardo Okaranza called Calgary Nocturnes, Lanes, and the detailed, Escher-like paintings of Montreal’s Numa.
The Market Collective, a bi-monthly cooperative of local artisans, celebrated its first anniversary under the banner of Sled Island. Pedestrians in the busy neighbourhood of Kensington were lured into a high ceilinged, sun-filled space, hopping with live music and locally made fashion, books, and baubles.
The festival also coincided with the Calgary launch of artsScene, a non-profit organization made up of young professionals devoted to enhancing the city’s cultural landscape, and the role for emerging talent within it. The group brought together all the local darlings of arts promotion, including Jeffrey Spalding, Dr. Terry Rock of Calgary Arts Development, blogger DJ Kelly, co-chairs of ArtsScene Alex Middleton and Sarah Blue, Karin Poldaas of 1128 Media, and Calgary Film Commissioner Luke Avezedo, for a reception at Rob Mabee’s Axis Gallery in Art Central.
On the lower level of the building, the Royal Canadian Academy of Arts (RCA) gathered for their third party that night. A musical performance across the street co-hosted by Sled Island, CBC Radio, and artsScene capped off the evening.
Published in National Post, July 4 2009
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