Opera and audience meet for brunch

Can something still be considered a city’s “best kept secret” if 300 people know about it? That’s a question some regulars of the Calgary society circuit are asking after last Sunday’s Opera Brunch at the trendy Hotel Arts.

Guests included the Honourable Mr. Peter Lougheed and his wife Jeanne Lougheed, Harold and Marilyn Milavsky, Pat and Sherrold Moore, Andrea Brussa, George Leitch, Bill Kerr, Iris Richards, Denise Dunn McMullen of Brunet, Duckworth & Palmer LLP, and David Tavender of Fraser Milner Casgrain LLP.

“It’s an extraordinary event,” says Mrs. Moore, “I can remember when it was just a handful of people at the Palliser Hotel, many years ago. It’s really grown.”

As it grew, the brunch moved to The Petroleum Club, where attendees would regularly squeeze into a roundish, multi-tiered room to feast on a formal brunch and listen to cast members from the upcoming production sing a piece of their choosing. This was the first week for the event to be held in the even more spacious Hotel Arts.

“It’s kind of interesting to see the singers in their civilian clothes just get up and sing something they like,” says Mr. Moore, “It gives you a different feeling for them as a performer and an artist. After this brunch, when you then see the opera, it’s like you know them a little bit.”

Indeed, the affair remains an intimate one, despite the impressive ticket sales. Many guests are long-time patrons of the Calgary Opera, and friends. Tables of eight are positioned around the room, with enough privacy to be cozy yet the proximity of a private dinner party. At the front of the room, well-spaced between the two long buffets, is a grand piano and circular stage. After guests have their fill of a mouth-watering breakfast buffet, the performance begins.

Calgary Opera’s next production will be Strauss’ play-within-a-play comedy, Ariadne Auf Naxos, opening January 31. Nine members of the cast individually performed selections from that opera and others, including The Marriage of Figaro, Romeo and Juliet, and the French-Canadian musical Notre Dame de Paris. Mezzo-Soprano Rebecca Hass sang a hilarious piece in English, lamenting the fate of the Alto singer who rarely has a chance to “wear the prettiest dresses and make out with the lead male” on stage. The performances were all brilliant and engaging, wrapping the audience in their melody and plot lines.

“We have one of the most adventurous opera programs in Canada,” says Grant Reddick, an actor and theatre coach for the Opera. He will appear on stage in An Ideal Husband in March.

Apparently, that edict applies on and off the stage. The Calgary Opera website lists some helpful etiquette tips for first-timers, including a suggestion to remove your cowboy hat so people behind you can see the stage. Reddick seems happy that the opera is attracting a diverse following.

“Calgary is a very permissive town,” he says smiling, “People here are very supportive and encouraging of the arts.”

Published in National Post, January 24 2009